Sensorial thought: cinema, perspective and Anthropology 1. Eisenstein attempted to draw a parallel between cinematic language and the way in which primitive thought is manifested, arguing that both based on the principle of non-contradiction, on the idea of a simultaneity between 'self' and 'other,' and on metonymization as a way of intensifying sensorial experience. This sensorial thought produces a particular 'perspective,' an engagement between spectator and screen character. By drawing together Cinema and Anthropology, Eisenstein produces a powerful reflection on the concepts of image, alterity, perspective and the senses. Keywords: Eisenstein, image, alterity, perspective and sensorial thought.
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However, remote access to EBSCO's databases from non-subscribing institutions is not allowed if the purpose of the use is for commercial gain through cost reduction or avoidance for a non-subscribing institution. Source: Contracampo. Author s : Ramos de Souza, Gustavo. Abstract: The book What is cinema? Divided in 36 essays, the book brings theories about montage, propaganda film, realism, interaction between movie and other artes, eroticism, western etc.
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Em defesa do realismo, em defesa do cinema.
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What is Cinema? (Corrected and Annotated Edition)